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classic
Britten Conducts Britten: Operas 2 [Box Set]
100
10,000
1,400
Artboard 2
LABEL
Decca
RELEASE DATE
March 15, 2005
DURATION
11:05:16
ALBUM ARTIST
Benjamin Britten
ALBUM ARTISTS
Motion Album Tracks
  • Britten: A Midsummer Night's Dream / Act 1 - "Be It On Lion, Bear, Or Wolf, Or Bull"
    3:41
  • Britten: A Midsummer Night's Dream / Act 1 - "Come, Now A Roundel and A Fairy Song"
    1:59
  • Britten: A Midsummer Night's Dream / Act 1 - "Fair Love, You Faint With Wand'ring In the Wood"
    2:42
  • Britten: A Midsummer Night's Dream / Act 1 - "How Now My Love?"
    4:33
  • Britten: A Midsummer Night's Dream / Act 1 - "Is All Our Company Here?"
    7:37
  • Britten: A Midsummer Night's Dream / Act 1 - "Oberon Is Passing Fell and Wrath"
    3:07
  • Britten: A Midsummer Night's Dream / Act 1 - "Over Hill, Over Dale"
    4:05
  • Britten: A Midsummer Night's Dream / Act 1 - "Stay, Though Thou Kill Me, Sweet Demetrius"
    5:15
  • Britten: A Midsummer Night's Dream / Act 1 - "Through the Forest Have I Gone"
    1:45
  • Britten: A Midsummer Night's Dream / Act 1 - "Welcome Wanderer!"
    4:31
트랙전체보기
Album TRACKS
DISC 1
1
벤자민 브리튼
한 여름밤의 꿈 Act 1. Introduction... Over hill, over dale
4:04
2
 
Act 1. Oberon is passing... Ill met by moonlight
3:06
3
 
Act 1. Well, go thy way
3:25
4
 
Act 1. How now, my love? Why is your cheek so pale?... I swear to thee, by Cupid's strongest bow
4:33
5
 
Act 1. (Be it Lion, Bear or Wolf...) ...I love thee not
3:40
6
 
Act 1. Welcome, wanderer!... I know a bank
4:31
7
 
Act 1. Is all our company here?
7:37
8
 
Act 1. Fair love, you faint with wand'ring in the wood
2:41
9
 
Act 1. Through the forest have I gone
1:45
10
 
Act 1. Stay, tho' thou kill me, sweet Demetrius... Lysander, if you live, good sire, awake - And ru
5:15
11
 
Act 1. Come, now a roundel, and a fairy song
1:59
12
 
Act 1. You spotted snakes
2:14
13
 
Act 1. What thou seest when thou dost wake
1:54
14
 
Act 2. Introduction
3:20
15
 
Act 2. Are we all met?... What hempen homespuns have we swaggering here
7:36
16
 
Act 2. I see their knavery... What angel wakes me
3:05
17
 
Act 2. Be kind and courteous to this gentleman
1:17
18
 
Act 2. Hail, mortal, hail!
5:15
19
 
Act 2. I have a reas'nable good ear in music
3:39
20
 
Act 2. How now, mad spirit... O why rebuke you him that loves you so?...What hast thou done?
3:06
DISC 2
1
 
Act 2. Flower of this purple dye... Why should you think that I should woo in scorn?... O Helena, g
6:32
2
 
Act 2. Puppet? why so?
3:05
3
 
Act 2. This is thy negligence... Thou see'st these lovers seek a place to fight
2:10
4
 
Act 2. Up and down... Where art thou, proud Demetrius?
6:02
5
 
Act 2. On the ground, sleep sound
3:12
6
 
Act 3. Scene 1. Introduction... My gentle Robin, see'st thou this sweet sight?... My Oberon, what v
7:12
7
 
Act 3. Scene 1. Helena! - Hermia! - Demetrius! - Lysander!
4:46
8
 
Act 3. Scene 1. When my cue comes, call me
3:37
9
 
Act 3. Scene 1. Have you sent to Bottom's house?
3:10
10
 
Act 3. Scene 2. Orchestral march... Now, fair Hippolyta, our nuptial hour
7:25
11
 
Act 3. Scene 2. If we offend, it is with our good will
1:20
12
 
Act 3. Scene 2. Gentle, perchance you wonder at this show
1:16
13
 
Act 3. Scene 2. In this same Interlude, it doth befall
1:11
14
 
Act 3. Scene 2. O grim-lock'd night
1:52
15
 
Act 3. Scene 2. O Wall, full often hast thou heard my moans
2:30
16
 
Act 3. Scene 2. You Ladies, you (whose gentle hearts do fear...)
0:47
17
 
Act 3. Scene 2. This lanthorn doth the hornè Moon present... This is old Ninny's tomb
1:51
18
 
Act 3. Scene 2. Sweet Moon, I thank thee for thy sunny beams
1:52
19
 
Act 3. Scene 2. Asleep, my Love? What, dead, my dove?
2:32
20
 
Act 3. Scene 2. Come, your Bergomask
2:46
21
 
Act 3. Scene 2. Now the hungry lion roars... Through the house give glimmering light... Now, until
5:04
 
DISC 3
1
벤자민 브리튼
페드라 Op. 93 In May, in brilliant Athens
6:38
2
 
Oh Gods of wrath
2:51
3
 
My time's too short; your highness
6:03
 
4
벤자민 브리튼
루크레티아의 능욕 Act 1. Scene 1. Rome is now ruled by the Etruscan upstart: Tarquinius Superbus
2:38
5
 
Act 1. Scene 1. It is an axion among kings, to use a foreign threat to hide a local evil
2:33
6
 
Act 1. Scene 1. Here the thirsty evening has drunk the wine of light
2:53
7
 
Act 1. Scene 1. Who reaches heaven first is the best philosopher
2:32
8
 
Act 1. Scene 1. Maria was unmasked at a masked ball
4:13
9
 
Act 1. Scene 1. Collatinus is politically astute to choose a virtuous wife
4:29
10
 
Act 1. Scene 1. There goes a happy man!
4:14
11
 
Act 1. Scene 1. Tarquinius does not dare, when Tarquinius does not desire
2:26
12
 
Act 1. Scene 1. My horse! My horse! / Interlude. Tarquinius does not wait for his servant to wake
3:06
13
 
Act 1. Scene 2. Their spinning-wheel unwinds dreams which desire has spun!
5:19
14
 
Act 1. Scene 2. Listen! I heard a knock... How cruel men are to teach us love!
2:34
15
 
Act 1. Scene 2. Time treads upon the hands of women
3:42
16
 
Act 1. Scene 2. The oatmeal slippers of sleep creep through the city... Open, in the name of the Pr
7:36
DISC 4
1
 
Act 2. Scene 1. The prosperity of the Etruscans was due to the richness of their native soil
7:19
2
 
Act 2. Scene 1. She sleeps as a rose upon the night
5:25
3
 
Act 2. Scene 1. Within this frail crucible of light
4:25
4
 
Act 2. Scene 1. Lucretia! - What do you want? - You!
5:57
5
 
Act 2. Interlude. Here in this scene you see virtue assailed by sin
4:06
6
 
Act 2. Scene 2. Oh! What a lovely day!
4:26
7
 
Act 2. Scene 2. We'll leave the orchids for Lucretia to arrange... Lucia, go send a messenger to my
4:59
8
 
Act 2. Scene 2. Flowers bring to every year the same perfection
3:24
9
 
Act 2. Scene 2. You were right. Tarquinius took one of the horses... Where is Lucretia?
3:51
10
 
Act 2. Scene 2. Lucretia! Lucretia!
2:57
11
 
Act 2. Scene 2. Las night Tarquinius ravished me
3:29
12
 
Act 2. Scene 2. This dead hand lets fall all that my heart held when full
4:08
13
 
Act 2. Epilogue. Is it all?
5:20
 
DISC 5
1
벤자민 브리튼
나사의 회전 Act 1. Prologue
2:49
2
 
Act 1. Theme. Scene 1. The Journey
3:26
3
 
Act 1. Variation 1 / Scene 2. The Welcome
4:08
4
 
Act 1. Variation 2 / Scene 3. The Letter
3:52
5
 
Act 1. Variation 3 / Scene 4. The Tower
5:50
6
 
Act 1. Variation 4 / Scene 5. The Window
9:59
7
 
Act 1. Variation 5 / Scene 6. The Lesson
4:45
8
 
Act 1. Variation 6 / Scene 7. The Lake
6:37
9
 
Act 1. Variation 7 / Scene 8. At Night
10:45
DISC 6
1
 
Act 2. Variation 8 / Scene 1. Colloquy and Soliloquy
8:36
2
 
Act 2. Variation 9 / Scene 2. The Bells
8:30
3
 
Act 2. Variation 10 / Scene 3. Miss Jesse!
6:20
4
 
Act 2. Variation 11 / Scene 4. The Bedroom
5:58
5
 
Act 2. Variation 12 / Scene 5. Quint
2:07
6
 
Act 2. Variation 13 / Scene 6. The Piano
4:52
7
 
Act 2. Variation 14 / Scene 7. Flora
4:54
8
 
Act 2. Variation 15 / Scene 8. Miles
11:43
 
DISC 7
1
벤자민 브리튼
베니스에서의 죽음 Act 1. Scene 1. My mind beats on and no words come
4:56
2
 
Act 1. Scene 1. Who's that? A foreigner, a traveller no doubt... Marvels unfold!
4:53
3
 
Act 1. Scene 2. Hey there, hey there, you!... Ho! Here comes young Casanova... Greetings, Conte!
3:47
4
 
Act 1. Scene 2. Serenissima, Serenissima - Low-lying clouds
2:55
5
 
Act 1. Scene 2. Overture: Venice
2:35
6
 
Act 1. Scene 3. Ah Serenissima!
5:20
7
 
Act 1. Scene 3. Mysterious gondola
1:41
8
 
Act 1. Scene 4. We are delighted to greet the Signore to our excellent hotel
4:08
9
 
Act 1. Scene 4. Was I wrong to come
6:13
10
 
Act 1. Scene 4. There is indeed in every artist's nature / Scene 5. The wind is from the West... Ah
2:40
11
 
Act 1. Scene 5. (Children's games)... Adziù! Adziù!
10:04
12
 
Act 1. Scene 6. Aou'! Stagando, aou!
4:51
13
 
Act 1. Scene 6. Naturally, Signore, I understand
7:55
14
 
Act 1. Scene 6. Here I will stay, here dedicate my days to the sun / Scene 7. Beneath a dazzling sk
9:43
DISC 8
1
 
Act 1. Scene 7. First the race!
5:07
2
 
Act 1. Scene 7. The boy, Tadzio, shall inspire me
4:25
3
 
Act 2. Scene 7. So, it has come to this
4:38
4
 
Act 2. Scene 8. Guardate, Signore!
2:20
5
 
Act 2. Scene 9. Do I detect a scent? A sweetish medicinal cleanliness
6:24
6
 
Act 2. Scene 9. Careful search now leads me to them... Ah, Tadzio, Eros, Ganymede... Gustav von Asc
7:47
7
 
Act 2. Scene 10. This way for the players, Signori! Why are they disinfecting Venice?
4:25
8
 
Act 2. Scene 10. Fiorir rose in mezzo al giasso... Ah, little Tadziù, we do not laugh like the othe
4:10
9
 
Act 2. Scene 11. One moment, if you please... Young man, why do all these people hurry to leave?
2:00
10
 
Act 2. Scene 11. In these last years, Asiatic cholerea has spread
2:56
11
 
Act 2. Scene 12. So it is true, true, more fearful than I thought
4:22
12
 
Act 2. Scene 13. Receive the stranger god - No! Reject the abyss
3:46
13
 
Act 2. Scene 14. (The empty beach) ...Do what you will with me!
1:59
14
 
Act 2. Scene 15. Yes, a very wise decision
2:23
15
 
Act 2. Scene 16. Hurrah for the Piazza
2:54
16
 
Act 2. Scene 16. Chaos, chaos and sickness
4:23
17
 
Act 2. Scene 17. The wind still blows from the land
4:17
18
 
Act 2. Scene 17. (On the beach) ...Ah, no!
5:07
 
DISC 9
1
벤자민 브리튼
글로리아나 Act 1. Scene 1. No. 1. Prelude
2:20
2
 
Act 1. Scene 1. No. 2. The tournament
4:18
3
 
Act 1. Scene 1. No. 3. Recitative and fight
1:25
4
 
Act 1. Scene 1. No. 4. Entrance of the Queen
1:29
5
 
Act 1. Scene 1. No. 5. Recitative
1:07
6
 
Act 1. Scene 1. No. 6. The two lords' explanation
1:24
7
 
Act 1. Scene 1. No. 7. Raleigh's song
1:43
8
 
Act 1. Scene 1. No. 8. Ensemble of reconciliation
4:52
9
 
Act 1. Scene 1. No. 9. Recitative and final march
1:32
10
 
Act 1. Scene 2. No. 1. Prelude and dialogue
2:02
11
 
Act 1. Scene 2. No. 2. The Queen's song
1:57
12
 
Act 1. Scene 2. No. 3. Cecil's song of government
1:56
13
 
Act 1. Scene 2. No. 4. Recitative and Essex's entry
2:35
14
 
Act 1. Scene 2. No. 5. First lute song
1:59
15
 
Act 1. Scene 2. No. 6. Second lute song
3:43
16
 
Act 1. Scene 2. No. 7. The first duet for the Queen and Essex
4:12
17
 
Act 1. Scene 2. No. 8. Soliloquy and prayer
5:17
18
 
Act 2. Scene 1. No. 1. Prelude and welcome
4:03
19
 
Act 2. Scene 1. No. 2. The Masque
11:47
20
 
Act 2. Scene 1. No. 3. Finale
2:56
21
 
Act 2. Scene 2. No. 1. Prelude and song
2:14
22
 
Act 2. Scene 2. No. 2. Duet
1:25
23
 
Act 2. Scene 2. No. 3. Double duet
1:46
24
 
Act 2. Scene 2. No. 4. Quartet
3:38
DISC 10
1
 
Act 2. Scene 3. No. 1. Pavane
2:09
2
 
Act 2. Scene 3. No. 2. Conversation
1:20
3
 
Act 2. Scene 3. No. 3. Galliard
1:50
4
 
Act 2. Scene 3. No. 4. Conversation and the Queen's entrance
1:03
5
 
Act 2. Scene 3. No. 5. Lavolta
1:25
6
 
Act 2. Scene 3. No. 6. Conversation
:49
7
 
Act 2. Scene 3. No. 7. Morris dance
1:04
8
 
Act 2. Scene 3. No. 8. Recitative
:24
9
 
Act 2. Scene 3. No. 9. The Queen's burlesque
1:49
10
 
Act 2. Scene 3. No. 10. Quartet
2:50
11
 
Act 2. Scene 3. No. 11. March
:46
12
 
Act 2. Scene 3. No. 12. The Queen's announcement
2:04
13
 
Act 2. Scene 3. No. 13. Ensemble
3:08
14
 
Act 2. Scene 3. No. 14. Coranto
1:24
15
 
Act 3. Scene 1. No. 1. Prelude and chatter
2:54
16
 
Act 3. Scene 1. No. 2. Essex's intrusion
:56
17
 
Act 3. Scene 1. No. 3. The second duet of the Queen and Essex
8:00
18
 
Act 3. Scene 1. No. 4. The dressing-table song
2:45
19
 
Act 3. Scene 1. No. 5. The entrance of Cecil
1:03
20
 
Act 3. Scene 1. No. 6. Cecil's report
:47
21
 
Act 3. Scene 1. No. 7. Discussion
:58
22
 
Act 3. Scene 1. No. 8. The Queen's decision
1:40
23
 
Act 3. Scene 2. Ballad - rondo
10:39
24
 
Act 3. Scene 3. No. 1. Prelude and verdict
6:16
25
 
Act 3. Scene 3. No. 2. Cecil's warning
:56
26
 
Act 3. Scene 3. No. 3. The Queen's dilemma
1:29
27
 
Act 3. Scene 3. No. 4. Trio
2:30
28
 
Act 3. Scene 3. No. 5. Lady Essex's pleading
2:35
29
 
Act 3. Scene 3. No. 6. Penelope Rich's pleading
1:41
30
 
Act 3. Scene 3. No. 7. Epilogue
8:51
 
 
ALBUM SHOUTS
0/1000 characters used