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An Introduction to Stravinsky's "The Rite of Spring"
100
10,000
1,400
Artboard 2
LABEL
Naxos
RELEASE DATE
2003
DURATION
02:33:55
ALBUM ARTIST
Jeremy Siepmann
ALBUM ARTISTS
Album TRACKS
DISC 1
1
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. Introduction, background and perspective
5:03
 
2
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. A gentle, other-worldly start; no sign of the
1:33
 
3
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. Music as mosaic; the composer as constructor
1:57
 
4
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. Two functions of metrical change: going with t
1:23
 
5
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. Or disrupting it: a sample of metrical violenc
1:02
 
6
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. A stealthy entry (clarinets)
:34
 
7
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. Detour: the destabilising properties of chroma
4:04
 
8
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. On melodies, themes and motifs
1:03
 
9
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. The new cor anglais motif dominates
:27
 
10
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. The oboe's rhythmic motif takes over
:25
 
11
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. A primeval awakening
:37
 
12
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. A panoply of Stravinskyan birdsong
:58
 
13
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. A matter of mode
1:15
 
14
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 1. Introduction. Cue to Introduction
:08
 
15
이고르 스트라빈스키
봄의 제전 Part 1. The Adoration of the Earth. 1. Introduction (complete)
3:38
 
16
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The 'Rite of
:41
 
17
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The great ar
1:35
 
18
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Putting the
1:45
 
19
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The prevalen
1:51
 
20
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Metre restor
:50
 
21
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. The musical
1:19
 
22
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. An important
1:04
 
23
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. Another new
:48
 
24
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 2. The Augurs of Spring Dances of the Young Girls. A crowded co
1:43
 
25
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 3. Ritual of Abduction. A real study in contrasts
1:31
 
26
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Panic and pandemonium as timpani open f
1:09
 
27
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 3. Ritual of Abduction. Climactic mêlée haunted by 'fear motif'
1:34
 
28
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 4. Spring Rounds. Suddenly another world, as flutes hover over
:59
 
29
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 4. Spring Rounds. But a transient one: new movement arises from
:50
 
30
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Dragging feet motif' over ostinato violins,
:42
 
31
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Matching motif' developed further by flutes
:45
 
32
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 4. Spring Rounds. A trilling commentary from piccolo and high c
:25
 
33
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 4. Spring Rounds. 'Marching motif' theme goes polymetric in hug
1:16
 
34
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 4. Spring Rounds. An unexpected change of pace as tempo doubles
:53
 
35
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 4. Spring Rounds. And an unexpected reversion, to a quiet close
:41
 
36
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Violent onslaught from brass and
:25
 
37
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Rival Tribes, rival motifs
:22
 
38
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Sensational violence comes close
:38
 
39
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. Effects, impressions and alterat
1:39
 
40
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A surprise re-entry and a change
:54
 
41
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. A thinning of texture, a new ide
:34
 
42
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The new idea developed: a minor
:41
 
43
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. The use of tone colour as an age
1:32
 
44
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. An unusual climax...
1:30
 
45
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 5. Ritual of the Rival Tribes. And a sinister transition
:51
 
46
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 6. Procession of the Sage. Across the threshold into an instrum
1:29
 
47
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 6. Procession of the Sage. A sudden silence and then another wo
1:00
 
48
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 6. Procession of the Sage. Catapulted into the 'Dance of the Ea
:38
 
49
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 7. Dance of the Earth. Tiny changes, unyielding ostinatos, masi
3:19
 
50
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 1. The Adoration of the Earth. 7. Dance of the Earth. Cue to Part One complete
:07
 
51
이고르 스트라빈스키
봄의 제전 Part 1. The Adoration of the Earth (complete)
16:08
 
DISC 2
1
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 1. Introduction. Again a muted, subtly coloured start
1:09
 
2
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 1. Introduction. Tone colour as atmosphere - the strings' motif
1:07
 
3
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 1. Introduction. Four solo violas, above gently rocking strings
:23
 
4
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 1. Introduction. A pregnant pause, and a new motif in muted trumpets
1:14
 
5
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif from the Introduction varied and
1:27
 
6
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New motif, heralded by clarinets and v
:34
 
7
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Variant of Motif No. 2 given out by tw
:44
 
8
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Continued by oboes and bassoons; new m
:33
 
9
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Main motifs yield to new idea from flu
:38
 
10
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. All change - direction, tone colour, m
:40
 
11
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Motif No. 1 returns in horn, then pass
:46
 
12
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Texture, balance and tone colour keep
:26
 
13
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Instrumental enrichment, new counterpo
:40
 
14
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. New derivative of Motif No. 2, a host
:48
 
15
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Into the finishing stretch, and we kno
:44
 
16
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls. Putting the movement back together aga
:07
 
17
이고르 스트라빈스키
봄의 제전 Part 2. The Sacrifice. 2. Mystic Circles of the Young Girls (complete)
8:16
 
18
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. On into one of the most sensational move
1:36
 
19
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. The violence is almost graphic. An examp
:35
 
20
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. Motif No. 2: a terrible, off-beat oom-pa
:13
 
21
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. The air is filled with the fearsome bayi
:20
 
22
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. A variant of Motif No. 2, but now descen
:14
 
23
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. A study in the brutality of suspense - a
4:12
 
24
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. The middle section begins with a massive
:27
 
25
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. Against the odds, the 'descending motif'
:23
 
26
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. In the midst of the fray, a new 'rising
1:02
 
27
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. And undergoes a typically Stravinskyan e
1:03
 
28
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 3. Glorification of the Chosen One. A much-needed breath before the movement
:17
 
29
이고르 스트라빈스키
봄의 제전 Part 2. The Sacrifice. 3. Glorification of the Chosen One (complete)
1:45
 
30
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 4. Evocation of the Ancestors. The next movement consists of a single, chord
:58
 
31
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 4. Evocation of the Ancestors. The second statement: breaking the metrical f
2:13
 
32
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. At last the establishment of a clear and
1:21
 
33
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A counterpoint of ostinatos lends continu
:42
 
34
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Horns introduce the first real motif, des
:32
 
35
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The motif disappears, though the backgrou
:32
 
36
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. A change of mood, then the whole orchestr
:49
 
37
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The steady pulse gives way to a tossed sa
:43
 
38
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. Lately abandoned, the steady pulse return
1:06
 
39
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 5. Ritual Action of the Ancestors. The movement ends with a varied reprise o
:15
 
40
이고르 스트라빈스키
봄의 제전 Part 2. The Sacrifice. 4. Evocation of the Ancestors (complete). 5. Ritual Action of the Ancestors
4:23
 
41
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. The last movement is based on two motifs, the first mo
:20
 
42
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. The second motif is likewise predominantly rhythmical
:16
 
43
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. Two variants: one a rhythmic simplification, the other
:20
 
44
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, again with two main motifs, the first f
:27
 
45
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. This is joined by another brief but very striking moti
:20
 
46
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. Tension dramatically increased by a violent interrupti
:35
 
47
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 2 is passed from bassoons to high wind and t
:34
 
48
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. And is twice interrupted by horns
:41
 
49
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. Motif No. 1 erupts in full orchestra, then all hell br
:48
 
50
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. New ostinato, over implacable repetitions of Motif No.
:26
 
51
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. A new section, kick-started by percussion: timpani, ba
1:11
 
52
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. Horns, doubled by strings, introduce the main idea of
:18
 
53
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. The return of the movement's opening section - or so w
:54
 
54
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. Dramatic compression of now-familiar material
:40
 
55
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. A terrifying cocktail of motifs old and new confounds
1:00
 
56
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. And leads to the coda, the final flourish of the whole
1:45
 
57
Jeremy Siepmann
Stravinsky's "The Rite of Spring" Part 2. The Sacrifice. 6. Sacrificial Dance. Cue to all of Part Two and end of CD
:10
 
58
이고르 스트라빈스키
봄의 제전 Part 2. The Sacrifice (complete)
18:58
 
 
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