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Sergey Rachmaninov  (세르게이 라흐마니노프)
Vespers, Op. 37
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WORK INFO
작곡가
:   Sergey Rachmaninov (세르게이 라흐마니노프)
장르
:  
스타일
:  
작곡년도
:   1915
평균연주
:   57:28
악장
1
O come, let us worship (Venite adoremus; Priidite, poklonimsya)
2:22
2
Praise the Lord, O my soul (Benedic anima mea; Blagoslovi, dushe moya)
4:59
3
Blessed is the man (Beatus vir; Blazhen muzh)
5:06
4
Gladsome Radiance (Svete Tikyi)
3:18
5
Nunc dimittis (Nyne otpushchaeshi)
3:40
6
Ave Maria (Rejoice, O Virgin; Bogoroditse Devo raduisya)
2:56
7
Glory be to God (6 psalms; Shesopsalmiye; Slava V Vyshnikh Bogu)
2:48
8
Praise be the name of the Lord (Laudate Dominum; Khvalite imya Gospodne)
2:42
9
Blessed be the Lord (Blagsloven esi, Gospodi)
6:04
10
The Veneration of the Cross (Voskresenie Khristovo videvshe)
3:13
11
Magnificat (Velichit dusha moya Gospoda)
8:03
12
Gloria in Excelsis (Great Doxology; Slavoslovie velikoe)
7:04
13
The day of salvation (Resurrection Troparion 1, Dnes'spaseni)
2:06
14
Christ is risen (Resurrection Troparion 2, Voskres iz groba)
3:24
15
To the Mother of God (Vzbrannoi voevode)
1:44
The All-Night Vigil (Pre-reform Russian: Всенощное бдѣніе, Vsénoshchnoye bdéniye; Modern Russian: Всенощное бдение) is an a cappella choral composition by Sergei Rachmaninoff, his Op. 37, written and premiered in 1915. The piece consists of settings of texts taken from the Russian Orthodox All-night vigil ceremony. It has been praised as Rachmaninoff's finest achievement and "the greatest musical achievement of the Russian Orthodox Church". It was one of Rachmaninoff's two favorite compositions along with The Bells, and the composer requested that one of its movements (the fifth) be sung at his funeral. Note: The title of the work is often translated as simply Vespers, which is both literally and conceptually incorrect as applied to the entire work; only the first six of its fifteen movements set texts from the Russian Orthodox canonical hour of Vespers.
Rachmaninoff composed the All-Night Vigil in less than two weeks in January and February 1915. The All-Night Vigil is perhaps notable as one of two liturgical settings (the other being the Liturgy of St. John Chrysostom) by a composer who had stopped attending church services. As required by the Russian Orthodox Church, Rachmaninoff based ten of the fifteen sections on chant. However, the five original sections (numbers 1, 3, 6, 10, & 11) were so heavily influenced by chant that the composer called them "conscious counterfeits".
    From WIKIPEDIA
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