작곡가

:   Henry Purcell (헨리 퍼셀)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1689

평균연주

:   55:55

악장

1

Act 1 : No. 1a-b. Ouverture. [Grave] - [Canzona]

2:27

2

Act 1 : No. 2a. Shake the cloud from off your brow

1:13

3

Act 1 : No. 2b. Banish sorrow

0:34

4

Act 1 : No. 3a. Ah! Belinda, I am prest

4:26

5

Act 1 : No. 3b. Ritornello

null

6

Act 1 : No. 4. Grief increases by concealing

0:56

7

Act 1 : No. 5. When monarchs unite

0:24

8

Act 1 : No. 6. Whence could so much virtue spring?

2:01

9

Act 1 : No. 7a-b. Fear no danger

1:44

10

Act 1 : No. 8. See, your royal guest appears

1:49

11

Act 1 : No. 9. Cupid only throws the dart

0:40

12

Act 1 : No. 10. If not for mine, for empire's sake

1:07

13

Act 1 : No. 11a. Prelude

2:15

14

Act 1 : No. 11b. Pursue thy conquest, Love

1:03

15

Act 1 : No. 12. To the hills and the vales

1:24

16

Act 1 : No. 13. Triumphing dance

1:18

17

Act 1 : No. 14a. Prelude

2:15

18

Act 1 : No. 14b. Wayward sisters, you that fright

3:30

19

Act 1 : No. 15. Harm's our delight

0:18

20

Act 1 : No. 16. The Queen of Carthage, whom we hate

1:03

21

Act 1 : No. 17. Ho, ho, ho

0:37

22

Act 1 : No. 18. Ruin'd ere the set of sun?

1:52

23

Act 1 : No. 19. Ho, ho, ho (in F major)

0:10

24

Act 1 : No. 20. But ere we this perform

1:30

25

Act 1 : No. 21. In our deep vaulted cell

1:35

26

Act 1 : No. 22. Echo Dance of Furies

1:07

27

Act 2 : No. 23. Ritornello

1:00

28

Act 2 : No. 24a-b. Thanks to these lonesome vales

2:30

29

Act 2 : No. 25a. Oft she visits this lone mountain

2:22

30

Act 2 : No. 25b. Ritornello

null

31

Act 2 : No. 26. Behold, upon my bended spear

0:55

32

Act 2 : No. 27. Haste, haste to town

0:46

33

Act 2 : No. 28a. Stay, prince! and hear great Jove's command

2:51

34

Act 2 : No. 28b. The Sorceress and Witches - Then since our charms have sped

1:16

35

Act 2 : No. 28c. The Groves' Dance

0:54

36

Act 3 : No. 29a. Prelude

1:20

37

Act 3 : No. 29b-c. Come away, fellow sailors

1:42

38

Act 3 : No. 30. The sailor's dance

0:56

39

Act 3 : No. 31. See the flags and streamers

1:48

40

Act 3 : No. 32. Our next motion must be

0:50

41

Act 3 : No. 33. Destruction's our delight

0:39

42

Act 3 : No. 34a. The witches' dance

1:32

43

Act 3 : No. 34b. (strings)

null

44

Act 3 : No. 34c. (strings)

null

45

Act 3 : No. 35a. Your counsel all is urg'd in vain

4:15

46

Act 3 : No. 35b. But Death, alas!

4:30

47

Act 3 : No. 36. Great minds against themselves conspire

1:34

48

Act 3 : No. 37. Thy hand, Belinda

2:04

49

Act 3 : No. 38a. Ground

1:19

50

Act 3 : No. 38b. When I am laid in earth (Dido's Lament)

4:02

51

Act 3 : No. 38c. Ritornello

null

52

Act 3 : No. 39. With drooping wings

3:51

53

Epilogue : No. 40. All that we know the angels do above

null

Dido and Aeneas (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The first known performance was at Josias Priest's girls' school in London no later than the summer of 1688. The story is based on Book IV of Virgil's Aeneid. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons her. A monumental work in Baroque opera, Dido and Aeneas is remembered as one of Purcell's foremost theatrical works. It was also Purcell's first opera, as well as his only all-sung dramatic work. One of the earliest English operas, it owes much to John Blow's Venus and Adonis, both in structure and in overall effect. The influence of Cavalli's opera Didone is also apparent.
Before Dido and Aeneas, Purcell composed music for several stage works, including nine pieces for Nathaniel Lee's Theodosius, or The Force of Love (1680) and eight songs for Thomas d'Urfey's A Fool's Preferment (1688). He also composed songs for two plays by Nahum Tate (later the librettist of Dido and Aeneas), The Sicilian Usurper (1680) and Cuckold-Haven (1685). Dido and Aeneas was Purcell's first (and only) all-sung opera and derives from the English masque tradition.

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