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Johann Sebastian Bach  (요한 제바스티안 바흐)
Sonata for solo violin No. 1 in G minor, BWV 1001
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WORK INFO
작곡가
:   Johann Sebastian Bach (요한 제바스티안 바흐)
장르
:  
스타일
:  
작곡년도
:   1720
출판년도
:   1879
평균연주
:   16:52
악장
1
Adagio
4:15
2
Fuga. Allegro
5:20
3
Siciliano
3:19
4
Presto
3:34
The Sonatas and Partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are also called the Sonatas and Partias for solo violin, in accordance with Bach's original terms: "Partia" was common in German-speaking regions during Bach's time, whereas the Italian "Partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonate da chiesa, in four movements, and three partitas (or partias), in dance-form movements. The set was completed by 1720, but was only published in 1802 by Nikolaus Simrock in Bonn. Even after publication, it was largely ignored until the celebrated violinist Joseph Joachim started performing these works. Today, Bach's Sonatas and Partitas are an essential part of the violin repertoire, and they are frequently performed and recorded. The Sei Solo – a violino senza Basso accompagnato, as Bach titled them, firmly established the technical capability of the violin as a solo instrument. The pieces often served as archetypes for solo violin pieces by later generations of composers, including Eugène Ysaÿe and Béla Bartók.
Bach started composing these works around 1703, while at Weimar, and the set was completed by 1720, when Bach was a Kapellmeister in Köthen. He was almost certainly inspired by Johann Paul von Westhoff's partitas for solo violin, since he worked alongside Westhoff at Weimar, and the older composer's pieces share some stylistic similarities with Bach's. Solo violin repertoire was actively growing at the time: Heinrich Ignaz Franz Biber's celebrated solo passacaglia appeared c.1676, Westhoff's collections of solo violin music were published in 1682 and 1696, Johann Joseph Vilsmayr's Artificiosus Concentus pro Camera in 1715, and finally, Johann Georg Pisendel's solo violin sonata was composed around 1716. The tradition of writing for solo violin did not die after Bach, either; Georg Philipp Telemann published 12 Fantasias for solo violin in 1735.
    From WIKIPEDIA
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WORKS SHOUTS
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