작곡가

:   Richard Wagner (리하르트 바그너)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1878 - 1882

평균연주

:   227:40

악장

1

Prelude

13:09

2

Act 1 : No. 2, He! ho! Waldhüter ihr

6:01

3

Act 1 : No. 3, Hei! Wie fliegen der Teufelsmahre die Mahnen

6:27

4

Act 1 : No. 4, Recht so! - Habt Dank! Ein wenig Rast

5:55

5

Act 1 : No. 5, Wann alles ratlos steht

3:53

6

Act 1 : No. 6, Das ist ein andres

5:28

7

Act 1 : No. 7, Titurel, der fromme Held

8:23

8

Act 1 : No. 8, Weh! Weh! Hoho! Auf!

5:28

9

Act 1 : No. 9, Unerhortes Werk!

3:39

10

Act 1 : No. 10, Den Vaterlosen gebar die Mutter

3:31

11

Act 1 : No. 11, So recht! So nach des Grales Gnade

2:59

12

Act 1 : No. 12a, Vom Bade kehrt der König heim

4:47

13

Act 1 : No. 12b, (Transformation Scene)

5:42

14

Act 1 : No. 13, Nun achte wohl... Zum letzten Liebesmahle

7:32

15

Act 1 : No. 14a, Mein Sohn Amfortas, bist du am Amt?

5:37

16

Act 1 : No. 14b, Nein! Lasst ihn unenthüllt

8:34

17

Act 1 : No. 14c, Wehvolles Erbe, dem ich verfallen

7:50

18

Act 1 : No. 15, Durch Mitleid Wissend, der reine Tor

5:16

19

Act 2 : No. 16, Prelude

3:03

20

Act 2 : No. 17, Die Zeit ist da

3:56

21

Act 2 : No. 18, Ach! Tiefe Nacht... Furchtbare Not!

5:37

22

Act 2 : No. 19, Hier war das Tosen!

3:39

23

Act 2 : No. 20, Komm, holder Knabe!

4:51

24

Act 2 : No. 21, Dies alles - hab' ich nun geträumt?

3:34

25

Act 2 : No. 22, Ich sah das Kind

5:25

26

Act 2 : No. 23, Wehe! Wehe! Was tat ich?

5:18

27

Act 2 : No. 24, Amfortas! Die wunde!

6:51

28

Act 2 : No. 25, Grausamer! Fuhlst du im Herzen

8:54

29

Act 2 : No. 26, Auf Ewigkeit warst du verdammt mir fur eine Stunde

5:30

30

Act 3 : No. 27, Prelude

5:41

31

Act 3 : No. 28, Von dorther kam das Stöhnen

6:15

32

Act 3 : No. 29, Heil dir, mein Gast!

5:41

33

Act 3 : No. 30, Zu ihm, des tiefe Klagen

2:58

34

Act 3 : No. 31, O Gnade! Hochstes Heil!

6:33

35

Act 3 : No. 32, Du wuschest mir die Fusse

7:31

36

Act 3 : No. 33a, Mittag - Die Stund'ist da

4:57

37

Act 3 : No. 33b, Geleiten wir im bergenden Schrein

4:14

38

Act 3 : No. 34, Ja, Wehe! Wehe! Weh' über mich!

6:47

39

Act 3 : No. 35, Nur eine Waffe taugt

5:57

40

Act 3 : No. 36, Good Friday music (concert version)

10:43

Uncompleted operas

• Die Laune des Verliebten (1830)
• Die Hochzeit
• Männerlist größer als Frauenlist (1838)

• v
• t
• e

Parsifal (WWV 111) is an opera in three acts by Richard Wagner. It is loosely based on Parzival by Wolfram von Eschenbach, a 13th-century epic poem of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail (12 с.). Wagner first conceived the work in April 1857 but did not finish it until twenty-five years later. It was Wagner's last completed opera and in composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. Parsifal was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on Parsifal productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described Parsifal not as an opera, but as "ein Bühnenweihfestspiel" ("A Festival Play for the Consecration of the Stage"). At Bayreuth a tradition has arisen that there is no applause after the first act of the opera. Wagner's spelling of Parsifal instead of the Parzival he had used up to 1877 is informed by an erroneous etymology of the name Percival deriving it from a supposedly Persian origin, Fal Parsi meaning "pure fool".
Wagner first read von Eschenbach's poem Parzival while taking the waters at Marienbad in 1845. After encountering Arthur Schopenhauer's writings in 1854, Wagner became interested in oriental philosophies, especially Buddhism. Out of this interest came Die Sieger (The Victors, 1856) a sketch Wagner wrote for an opera based on a story from the life of Buddha. The themes which were later explored in Parsifal of self-renouncing, reincarnation, compassion, and even exclusive social groups (castes in Die Sieger, the Knights of the Grail in Parsifal) were first introduced in Die Sieger.

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