작곡가

:   Sergey Rachmaninov (세르게이 라흐마니노프)

장르

:  

Keyboard

스타일

:  

Moment Musicaux

작곡년도

:   1896

평균연주

:   27:36

악장

1

Andantino in B flat minor

7:31

2

Allegretto in E flat minor

3:15

3

Andante cantabile in B minor

6:15

4

Presto in E minor

3:02

5

Adagio sostenuto in D flat major

4:16

6

Maestoso in C major

4:59

Six moments musicaux (, Shest’ muzykál’nykh moméntov), Op. 16, is a set of solo piano pieces composed by the Russian composer Sergei Rachmaninoff between October and December, 1896. Each Moment musical reproduces a musical form characteristic of a previous musical era. The forms that appear in Rachmaninoff's incarnation are the nocturne, song without words, barcarolle, virtuoso étude, and theme and variations. The individual pieces have been described as "true concert works, being best served on a stage and with a concert grand." Although composed as part of a set, each piece stands on its own as a concert solo with individual themes and moods. The pieces span a variety of themes ranging from the somber funeral march of number three to the majestic canon of number six, the Moments musicaux are both Rachmaninoff's return to and revolution of solo piano composition. A typical performance lasts 30 minutes. In an interview in 1941, Rachmaninoff said, "What I try to do, when writing down my music, is to make it say simply and directly that which is in my heart when I am composing." Even though Moments musicaux were written because he was short of money, the pieces summarize his knowledge of piano composition up to that point. Andantino opens the set with a long, reflective melody that develops into a rapid climax. The second piece, Allegretto, is the first of the few in the set that reveal his mastery of piano technique. Andante cantabile is a contrast to its two surrounding pieces, explicitly named "funeral march" and "lament." Presto draws inspiration from several sources, including the Preludes of Frédéric Chopin, to synthesize an explosion of melodic intensity. The fifth, Adagio sostenuto is a respite in barcarolle form, before the finale Maestoso, which closes the set in a thick three-part texture. In six musical moments, Rachmaninoff illustrates completely, "that which is in my heart."
By the fall of 1896, Rachmaninoff's financial status was precarious, not helped by his being robbed of money on an earlier train trip. Pressed for time, both financially and by those expecting a symphony, he "rushed into production." On December 7, he wrote to Aleksandr Zatayevich, a Russian composer he had met before he had composed the work, saying, "I hurry in order to get money I need by a certain date ... This perpetual financial pressure is, on the one hand, quite beneficial ... by the 20th of this month I have to write six piano pieces." Rachmaninoff completed all six during October and December 1896, and dedicated all to Zatayevich. Despite the hasty circumstances, the work evidences his early virtuosity, and sets an example for the quality of his future works.

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