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George Frederick Handel  (조지 프리더릭 헨델)
Samson, HWV 57
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WORK INFO
작곡가
:   George Frederick Handel (조지 프리더릭 헨델)
장르
:  
스타일
:  
작곡년도
:   1741
평균연주
:   167:30
악장
1
Sinfonia in G major
6:34
2
Act 1 : This day, a solemn feast to Dagon held
0:36
3
Act 1 : Awake the trumpet's lofty sound!
2:05
4
Act 1 : Ye men of Gaza, hither bring
4:08
5
Act 1 : Awake the trumpet's lofty sound!
1:23
6
Act 1 : Loud as the thunder's awful voice
3:14
7
Act 1 : Then free from sorrow
2:42
8
Act 1 : Why by an angel was my birth foretold
0:49
9
Act 1 : Torments, alas!
4:56
10
Act 1 : O change beyond report
0:59
11
Act 1 : O mirror of our fickle state
3:34
12
Act 1 : Whom have I to complain of
1:27
13
Act 1 : Total eclipse!
4:06
14
Act 1 : Since light so necessary is to life
null
15
Act 1 : O first created beam!
3:19
16
Act 1 : Ye see, my friends, how woes enclose me round
0:58
17
Act 1 : Brethren, and men of Dan
0:37
18
Act 1 : O miserable change!
0:56
19
Act 1 : Oh ever failing trust in mortal strength!
0:18
20
Act 1 : God of our fathers
3:23
21
Act 1 : Oh ever failing trust in mortal strength!
null
22
Act 1 : God of our fathers
null
23
Act 1 : Oft He that's most exalted high
null
24
Act 1 : The good we wish for
1:09
25
Act 1 : The glorious deeds inspir'd my tongue/The warlike cornets spoke aloud
4:33
26
Act 1 : Justly these evils have befall'n thy son
0:48
27
Act 1 : My griefs for this forbid mine eyes to close
0:55
28
Act 1 : Why does the God of Israel sleep?
4:53
29
Act 1 : There lies our hope!
0:23
30
Act 1 : Then shall they know, that He whose name Jehovah is alone
2:33
31
Act 1 : For thee, my dearest son
1:57
32
Act 1 : My genial spirits droop
null
33
Act 1 : Then long eternity shall greet
1:07
34
Act 1 : Then round about the starry throne
2:17
35
Act 2 : Despair not thus!
null
36
Act 2 : Just are the ways of God to man
null
37
Act 2 : My evils hopeless are!
0:55
38
Act 2 : Return, oh God of hosts!
5:56
39
Act 2 : To dust his glory thry would tread
4:20
40
Act 2 : But who is this?
1:50
41
Act 2 : With plaintive notes and am'rous moan
5:09
42
Act 2 : Alas! th'event was worse
null
43
Act 2 : Did love constrain thee?
0:32
44
Act 2 : Your charms to ruin led the way
3:06
45
Act 2 : Forgive what's done
0:40
46
Act 2 : My faith and truth, oh Samson, prove
5:30
47
Act 2 : Her faith and truth, oh Samson, prove
1:23
48
Act 2 : To fleeting pleasures make your court/How charming is domestick ease
2:38
49
Act 2 : Her faith and truth, oh Samson, prove
1:30
50
Act 2 : Ne'er think of that!
1:33
51
Act 2 : Traitor to love
1:46
52
Act 2 : She's gone! A serpent manifest
0:18
53
Act 2 : It is not virtue, valour, wit, or comeliness of grace
4:48
54
Act 2 : Fly from the cleaving mischief
null
55
Act 2 : Favour'd of heav'n is he
0:29
56
Act 2 : To man God's universal law
2:25
57
Act 2 : No words of peace
1:48
58
Act 2 : Honour and arms scorn such a foe
4:51
59
Act 2 : Who could withstand me
null
60
Act 2 : Put on your arms,then take for spear
null
61
Act 2 : My strength is from the living God
null
62
Act 2 : Thy god regards thee not
null
63
Act 2 : Cam'st thou for this, vain boaster?
0:32
64
Act 2 : With thee! A man condemn'd
null
65
Act 2 : Go, baffled coward
2:24
66
Act 2 : Here lie the proof: if Dagon be thy God
0:56
67
Act 2 : Hear, Jacob's God, Jehovah
3:28
68
Act 2 : Dagon, arise! Attend thy sacred feast!
0:14
69
Act 2 : To song and dance we give the day
2:42
70
Act 2 : To song and dance we give the day
2:08
71
Act 2 : Fix'd in his everlasting seat, Jehovah
2:57
72
Act 3 : How great and many perils do enfold
null
73
Act 3 : More trouble is behind
1:27
74
Act 3 : Presuming slave to move their wrath!
2:31
75
Act 3 : Reflect then, Samson, matters now are strain'd
0:47
76
Act 3 : With thunder arm'd, great God, arise!
2:55
77
Act 3 : Be of good courage
2:28
78
Act 3 : Then shall I make Jehovah's glory known!
0:40
79
Act 3 : Thus when the sun from's wat'ry bed
4:29
80
Act 3 : With might endued above the sons of men
0:28
81
Act 3 : The Holy One of Israel be thy guide
2:15
82
Act 3 : The Holy One of Israel be thy guide
null
83
Act 3 : To fame immotal go
0:34
84
Act 3 : Old Manoa, with youthful steps
0:32
85
Act 3 : Great Dagon has subdued our foe
3:44
86
Act 3 : What noise of joy was that?
0:56
87
Act 3 : How willing my paternal love
3:54
88
Act 3 : Your hopes of his deliv'ry seem not vain
0:50
89
Act 3 : Sinfonia in B flat major
2:14
90
Act 3 : Heav'n! what noise!,
null
91
Act 3 : Hear us, our God, hear us!
1:26
92
Act 3 : Noise call you this?
0:42
93
Act 3 : Where shall I run, or which way fly
2:45
94
Act 3 : Ye son of Israel, now lament
3:26
95
Act 3 : Weep, Israel, weep
null
96
Act 3 : Proceed we hence to find this body soak'd
0:59
97
Act 3 : March
null
98
Act 3 : March in D major
3:23
99
Act 3 : The body comes
0:53
100
Act 3 : Glorious hero, may thy grave peace and honour
4:49
101
Act 3 : The virgins too shall on their feastful days
null
102
Act 3 : Bring the laurels, bring the bays
null
103
Act 3 : May ev'ry hero fall like thee
null
104
Act 3 : Bring the laurels, bring the bays
null
105
Act 3 : Glorious hero, may thy grave
5:05
106
Act 3 : Come! No time for lamentation now
0:28
107
Act 3 : Let the bright Seraphim in burning row
5:34
108
Act 3 : Let their celestial concerts all unite
3:14
109
Act 1 : O mirror of our fickle state, Supplemental chorus
null
110
Act 2 : To dust his glory they would tread, Supplemental Chorus
null
111
Act 2 : My strength is from the living God, Supplemental air
null
Samson (HWV 57) is a three-act oratorio by George Frideric Handel, considered one of his finest dramatic works. It is usually performed as an oratorio in concert form, but on occasions has also been staged as an opera. The well-known arias "Let the bright Seraphim" (for soprano) and "Total eclipse" (for tenor) are often performed separately in concert.
Handel began its composition immediately after completing Messiah on 14 September 1741. It uses a libretto by Newburgh Hamilton, who based it on Milton's Samson Agonistes, which in turn was based on the figure Samson in Chapter 16 of the Book of Judges. Handel completed the first act on 20 September 1741, the second act on 11 October that year and the whole work on 29 October. Shortly after that he travelled to Dublin to put on the premiere of Messiah, returning to London at the end of August 1742 and thoroughly revising Samson.
    From WIKIPEDIA
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WORKS SHOUTS
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