작곡가

:   Richard Wagner (리하르트 바그너)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1854 - 1856

평균연주

:   207:10

악장

1

Act 1 : Prelude

3:45

2

Act 1 : No. 2, Wess' Herd dies auch sei

5:46

3

Act 1 : No. 3, Müd am Herd fand ich den Mann

5:04

4

Act 1 : No. 4, Friedmund darf ich nicht heissen

5:22

5

Act 1 : No. 5, Ich weiss ein wildes Geschlecht

5:26

6

Act 1 : No. 6, Ein Schwert verhiess mir der Vater

5:40

7

Act 1 : No. 7, Schläfst du, Gast?

4:01

8

Act 1 : No. 8, Der Manner Sippe sass hier im Sal

4:57

9

Act 1 : No. 9, Winterstürme wichen dern Wonnenmond

4:13

10

Act 1 : No. 10, Du bist der Lenz

3:36

11

Act 1 : No. 11, War Wälse dein Vater

1:05

12

Act 1 : No. 12, Siegmund heiss ich und Siegmund bin ich!

3:40

13

Act 2 : No. 13, Prelude

2:09

14

Act 2 : No. 14, Nun zäume dein Ross, reisige Maid!

2:49

15

Act 2 : No. 15a, Hojotoho!

2:47

16

Act 2 : No. 15b, Dir rat ich, Vater, ruste dich selbst

1:49

17

Act 2 : No. 16, Der alte Sturm, die alte Müh!

4:52

18

Act 2 : No. 17, So ist es denn aus mit den ewigen Göttern

6:04

19

Act 2 : No. 18, Was verlangst du?

4:04

20

Act 2 : No. 19, Deiner ew'gen Gattin heilige Ehre

2:48

21

Act 2 : No. 20, Schlimm, fürcht ich, schloss der Streit

5:12

22

Act 2 : No. 21, Als junger Liebe Lust mir verlich

6:52

23

Act 2 : No. 22, Ein andres ist's

7:08

24

Act 2 : No. 23a, Ihrem Willen muss ich gewahren

3:53

25

Act 2 : No. 23b, So nimmst du von Siegmund den Sieg?

4:06

26

Act 2 : No. 24, So sah ich Siegvaer nie

4:18

27

Act 2 : No. 25, Raste nun hier; gönne dir Ruh'!

5:23

28

Act 2 : No. 26, Siegmund! Sieh auf mich! (Todesverkundigung)

9:36

29

Act 2 : No. 27, Du sahest der Walküre sehrenden Blick

5:22

30

Act 2 : No. 28, Zauberfest bezähmt ein Schlaf der Holden Schmerz und Harm

4:24

31

Act 2 : No. 29a, Der dort mich ruft

4:00

32

Act 2 : No. 29b, Kehrte der Vater nur heim!

3:43

33

Act 2 : No. 30a, Zu Ross, dass ich dich rette!

3:09

34

Act 2 : No. 30b, Geh hin, Knecht! Knie vor Fricka

4:08

35

Act 3 : No. 31, Hojotoho!

5:31

36

Act 3 : No. 32, Schützt mich und helft in höchster Not!

3:22

37

Act 3 : No. 33, Nicht sehre dich Sorgen um mich

4:43

38

Act 3 : No. 34, Wo ist Brünnhild', wo die Verbrecherin?

4:39

39

Act 3 : No. 35, Hier bin ich, Vater

7:10

40

Act 3 : No. 36, War es schmählich, was ich verbrach?

8:03

41

Act 3 : No. 37, Weil fur dich im Auge das eine ich hielt

5:42

42

Act 3 : No. 38, So tatest du, was so gern zu fun ich begehrt

4:58

43

Act 3 : No. 39a, Und das ich him in Stücken schlug

4:38

44

Act 3 : No. 39b, Nicht streb, o Maid, den Mut mir zu stören

3:50

45

Act 3 : No. 40, Leb wohl, du kühnes, herrliches Kind!

8:08

46

Act 3 : No. 41, Der Augen leuchtendes Paar

6:36

47

Act 3 : No. 42, Loge, hör! Lausche hieher!

3:46

48

Act 3 : No. 43, (Magic Fire Music)

6:11

49

Act 3 : No. 44, (Ride of the Valkryies) (Concert Version)

5:09

Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda. In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". It received its premiere at the Königliches Hof- und National-Theater in Munich on 26 June 1870. Wagner originally intended the opera to be premiered as part of the entire cycle, but was forced to allow the performance at the insistence of his patron King Ludwig II of Bavaria. It was first presented as part of the complete cycle on 14 August 1876 at Wagner's Bayreuth Festival. The opera made its United States premiere at the Academy of Music in New York on 2 April 1877.
Although Die Walküre is the second of the Ring operas, it was the third in order of conception. Wagner worked backwards from planning an opera about Siegfried's death, then deciding he needed another opera to tell of Siegfried's youth, then deciding he needed to tell the tale of Siegfried's conception and of Brünnhilde's attempts to save Siegfried's parents, and finally deciding he also needed a prelude that told of the original theft of the Rheingold and the creation of the ring.

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