작곡가

:   Richard Wagner (리하르트 바그너)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1857 - 1859

평균연주

:   212:33

악장

1

Act 1 : No. 1, Prelude

10:47

2

Act 1 : No. 2, Hab acht, Tristan!

5:46

3

Act 1 : No. 3, Doch nun von Tristan!

18:44

4

Act 1 : No. 4, Wie lachend sie mir Lieer singen

8:22

5

Act 1 : No. 5, So reihte sie die Mutter

4:00

6

Act 1 : No. 6, Begehrt, Herrin was ihr wünscht

6:59

7

Act 2 : No. 7, Prelude

2:43

8

Act 2 : No. 8a, Isolde! Geliebte! Tristan! geliebter

9:27

9

Act 2 : No. 8b, O eitler Tagesknecht!

5:07

10

Act 2 : No. 8c, O sink hernieder

7:41

11

Act 2 : No. 9a, Einsam wachend

4:02

12

Act 2 : No. 9b, Lausch Geliebter!

6:02

13

Act 2 : No. 9c, So stürben wir

6:28

14

Act 2 : No. 9d, Lass' mich sterben!

5:47

15

Act 2 : No. 10, Tatest du's wirklich?

9:43

16

Act 2 : No. 11, Konig... Wohin nun Tristan scheidet

6:18

17

Act 3 : No. 12, Prelude

6:55

18

Act 3 : No. 13, Die alte Weise - was weckt sie mich?

6:34

19

Act 3 : No. 14, Dunkt dich das?

7:33

20

Act 3 : No. 15, Wie sie selig

5:10

21

Act 3 : No. 16, O diese Sonne!

3:20

22

Act 3 : No. 17, Ha! Ich bin's, ich bin's

5:28

23

Act 3 : No. 18, Mild und leise

6:52

24

No. 19, Prelude und Liebestod (Concert version, arr. Humperdinck)

15:59

Uncompleted operas

• Die Laune des Verliebten (1830)
• Die Hochzeit
• Männerlist größer als Frauenlist (1838)

• v
• t
• e

Tristan und Isolde (Tristan and Isolde, or Tristan and Isolda, or Tristran and Ysolt) is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hof- und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "eine Handlung" (literally a drama, a plot or an action), which was the equivalent of the term used by the Spanish playwright Calderón for his dramas. Wagner's composition of Tristan und Isolde was inspired by the philosophy of Arthur Schopenhauer (particularly The World as Will and Representation) and Wagner's affair with Mathilde Wesendonck. Widely acknowledged as one of the peaks of the operatic repertoire, Tristan was notable for Wagner's unprecedented use of chromaticism, tonality, orchestral colour and harmonic suspension. The opera was enormously influential among Western classical composers and provided direct inspiration to composers such as Gustav Mahler, Richard Strauss, Karol Szymanowski, Alban Berg, Arnold Schoenberg and Benjamin Britten. Other composers like Claude Debussy, Maurice Ravel and Igor Stravinsky formulated their styles in contrast to Wagner's musical legacy. Many see Tristan as the beginning of the move away from common practice harmony and tonality and consider that it lays the groundwork for the direction of classical music in the 20th century. Both Wagner's libretto style and music were also profoundly influential on the Symbolist poets of the late 19th century and early 20th century.
Wagner was forced to abandon his position as conductor of the Dresden Opera in 1849, as there was a warrant posted for his arrest for his participation in the unsuccessful May Revolution. He left his wife, Minna, in Dresden, and fled to Zürich. There, in 1852, he met the wealthy silk trader Otto Wesendonck. Wesendonck became a supporter of Wagner and bankrolled the composer for several years. Wesendonck's wife, Mathilde, became enamoured of the composer. Though Wagner was working on his epic Der Ring des Nibelungen, he found himself intrigued by the legend of Tristan and Iseult.

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