작곡가

:   Franz Lehár (프란츠 레하르)

장르

:  

Opera

스타일

:  

Operetta

초연

:   1929

평균연주

:   83:05

악장

1

Overture

6:54

2

Act 1 : No. 1, Flirten, bisschen flirten

2:53

3

Act 1 : No. 2, Gern, gern, wär' ich verliebt

3:06

4

Act 1 : No. 3, Es ist nicht das erste Mal

2:20

5

Act 1 : No. 4, Freunderl, mach' dir nix d'raus, 's war ja nicht so bos gemeint

2:22

6

Act 1 : No. 5, Immer nur lächeln und limmer vergnügt

4:21

7

Act 1 : No. 6, Ach, trinken Sie vielleicht mit mir ein Tässchen Tee?

3:24

8

Act 1 : No. 7, Bei einem Tee a deux

3:13

9

Act 1 : No. 8, Von Apfelblüten einen Kranz

3:43

10

Act 2 : No. 9, Prelude

3:03

11

Act 2 : No. 10, Wer hat die Liebe uns ins Herz gesenkt

4:40

12

Act 2 : No. 11, Im Salon zur blau'n Pagode

3:46

13

Act 2 : No. 12, Als Gott die Welt erschuf, war'n alle Menschen gleich

2:40

14

Act 2 : No. 13, Meine Liebe, deine Liebe, die sind beide gleich

2:14

15

Act 2 : No. 14, Dein ist mein ganzes Herz (You are my heart's delight)

3:34

16

Act 2 : No. 15, Ich möcht' wieder einmal die Heimat seh'n

1:56

17

Act 2 : No. 16, (Chinesischer Hochzeitszug)

2:38

18

Act 2 : No. 17, Kann es möglich sein

4:03

19

Act 3 : No. 18, Liebe besiegt, Liebe durchfliegt Zeiten und Raum

3:19

20

Act 3 : No. 19, Zig, zig, zig, zig, ih!

2:42

21

Act 3 : No. 20, Wenn die Chrysanthemen blüh'n am Paiho

2:29

22

Act 3 : No. 21, Du bist so lieb, du bist so schön

null

The Land of Smiles () is a romantic operetta in three acts by Franz Lehár. The German language libretto was by Ludwig Herzer (de) and Fritz Löhner-Beda. The performance time is about 100 minutes. This was one of Lehár's later works, and has a bittersweet ending which the Viennese loved. The title refers to the supposed Chinese custom of smiling, whatever happens in life. (The leading character, Prince Sou-Chong has a song early in the show, "Immer nur lächeln" ("Always smiling") which describes this.)
Lavishly produced, the show was built largely around the performance of the tenor Richard Tauber, a close friend of Lehár's, for whom he customarily wrote a Tauberlied – a signature tune exploiting the exceptional qualities of his voice – in each of his later operettas. On this occasion it was "Dein ist mein ganzes Herz" ("You are my heart's delight"), probably the most famous of all the Tauberlieder. Tauber also appeared in the show in London, singing many encores of his song.

... MORE    From WIKIPEDIA