작곡가

:   Gaetano Donizetti (가에타노 도니체티)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1843

평균연주

:   105:55

악장

1

Act 1 : No. 1, Overture

6:31

2

Act 1 : No. 2, Son nov'ore (Introduction)

3:50

3

Act 1 : No. 3a, È permesso?

1:06

4

Act 1 : No. 3b, Bella siccome un angelo

3:41

5

Act 1 : No. 4, Ah!... Un foco insolito

1:53

6

Act 1 : No. 5, Pender mogilie? (Recitative & Duet)

4:15

7

Act 1 : No. 6, Sogno soave e casto

2:49

8

Act 1 : No. 7a, Quel guardo il cavaliere

4:40

9

Act 1 : No. 7b, So anch'io la virtú magica (Cavatina) [Ich kenn' den tiefen Zauber]

3:52

10

Act 1 : No. 8a, Buone nuove, Norina

1:41

11

Act 1 : No. 8b, Pronto io son

6:16

12

Act 1 : No. 8c, Vado, corro

3:05

13

Act 2 : No. 9a, Povero Ernesto!

4:04

14

Act 2 : No. 9b, Chercherò Iontana terra

4:01

15

Act 2 : No. 9c, E se fia

2:50

16

Act 2 : No. 10a, Quando avrete

3:13

17

Act 2 : No. 10b, Via, da bravo

4:18

18

Act 2 : No. 11, Fra da un parte etcetera

7:06

19

Act 2 : No. 12, Pria di partir, signore

2:10

20

Act 2 : No. 13, Siete marito e moglie

3:18

21

Act 3 : No. 14, I diamanti, presto'

1:39

22

Act 3 : No. 15a, Vediamo: alla modista

2:28

23

Act 3 : No. 15b, Signorina, in tanta fetta

4:35

24

Act 3 : No. 15c, È finita, Don Pasquale

3:00

25

Act 3 : No. 16, Che interminabile

3:53

26

Act 3 : No. 17a, Siamo intesi

2:35

27

Act 3 : No. 17b, Don Pasquale... Cognato

2:25

28

Act 3 : No. 18a, Cheti! cheti immantinente

6:11

29

Act 3 : No. 18b, Aspetta, aspetta cara sposina

2:56

30

Act 3 : No. 19, Com'è gentil (Serenata)

3:39

31

Act 3 : No. 20, Tornami a dir (Notturno) [Lass es, ach lass es hören]

3:28

32

Act 3 : No. 21a, Eccoli: attenti bene

3:05

33

Act 3 : No. 21b, Eccomi... A voi

1:14

Don Pasquale is an opera buffa, or comic opera, in three acts by Gaetano Donizetti with an Italian libretto completed largely by Giovanni Ruffini as well as the composer. It was based on a libretto by Angelo Anelli for Stefano Pavesi's opera Ser Marcantonio written in 1810 but, on the published libretto, the author appears as "M.A." Donizetti so dominated the preparation of the libretto that Ruffini refused to allow his name to be put on the score. This resulted in confusion over the identity of the librettist for more than half a century, but as Herbert Weinstock establishes, it was largely Ruffini's work and, in withholding his name from it as librettist, "Donizetti or Accursi may have thought that, lacking Ruffini's name, the authorship might as well be assigned to Accursi's initials as to a pseudonym". The opera was first performed on 3 January 1843 by the Théâtre-Italien at the Salle Ventadour in Paris with great success and it is generally regarded as being the high point of the 19th century opera buffa tradition and, in fact, marking its ending.
Donizetti had just returned to Paris from Vienna in the autumn of 1842 and it was there that it was suggested to him by Jules Janin, the newly appointed director of the Théâtre-Italien, that he might compose a new opera for that house. Janin prepared a formal proposal on 27 September, but while no specific subject nor title was mentioned, Janin suggested that it should be a new opera buffa tailored to the talents of some major singers including Giulia Grisi, Antonio Tamburini, and Luigi Lablache.

... MORE    From WIKIPEDIA