작곡가

:   Giuseppe Verdi (주세페 베르디)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1847

평균연주

:   136:40

악장

1

Prelude

3:15

2

Act 1 : No. 2, Che faceste? dite su!

3:32

3

Act 1 : No. 3a, Giorno non vidi mai

5:04

4

Act 1 : No. 3b, Du vaticini compiuto or sono

3:57

5

Act 1 : No. 4, S'allontanarono!

2:14

6

Act 1 : No. 5a, Nel di della vittoria

5:37

7

Act 1 : No. 5b, Vieni! t'affretta!

5:14

8

Act 1 : No. 5c, Ambizioso spirto

3:12

9

Act 1 : No. 5d, Or tutti sorgete

3:30

10

Act 1 : No. 7a, Sappia la sposa mia

7:48

11

Act 1 : No. 7b, Regna il sonno

2:28

12

Act 1 : No. 7c, Fatal mia donna!

3:14

13

Act 1 : No. 8a, Di destario per tempo

4:51

14

Act 1 : No. 8b, Schiudi, inferno, la bocca

5:26

15

Act 2 : No. 9a, Perché mi sfuggi

3:00

16

Act 2 : No. 9b, La luce langue

4:03

17

Act 2 : No. 10, Chi oso madarvi a noi?

3:03

18

Act 2 : No. 11a, Studia il passo

3:49

19

Act 2 : No. 11b, Come dal ciel precipita

4:18

20

Act 2 : No. 12a, Salve, o Re!

5:26

21

Act 2 : No. 12b, Si colmi il calice

4:22

22

Act 2 : No. 12c, Va' spirto d'abisso!

6:57

23

Act 2 : No. 13, Tre volte miagola la gatta

4:32

24

Act 3 : No. 14, Ballet Music

7:14

25

Act 3 : No. 15a, Finché appelli

8:47

26

Act 3 : No. 15b, Fuggi, regal fantasima

4:01

27

Act 3 : No. 16, Ondine e Silfidi

3:36

28

Act 3 : No. 17a, Ove son io?

3:11

29

Act 3 : No. 17b, Ora di morte

1:38

30

Act 4 : No. 18, Patria appressa!

6:30

31

Act 4 : No. 19a, O figli, o figli miei!

3:26

32

Act 4 : No. 19b, Ah, la paterna mano

3:24

33

Act 4 : No. 20, Dove siam? che bosco è quello?

2:41

34

Act 4 : No. 21a, Vegliammo in van due notti

6:45

35

Act 4 : No. 21b, Una macchia è qui tutt'ora

8:16

36

Act 4 : No. 22a, Perfidi! All'Anglo contro me v'unite!

5:10

37

Act 4 : No. 22b, Pietà, rispetto, amore

4:32

38

Act 4 : No. 23, Ella è morta!

3:25

39

Act 4 : No. 24, Vittoria (Finale)

3:01

Macbeth is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and first given on 14 March 1847. Macbeth was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, Macbeth was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of Attila in 1846, by which time the composer had become well established, Macbeth came before the great successes of 1850 to 1853 (Rigoletto, Il trovatore and La traviata) which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of King Lear (as Re Lear) were never realized, but he wrote his two final operas using Othello as the basis for Otello (1887) and The Merry Wives of Windsor as the basis for Falstaff (1893). The first version of Macbeth was completed during the time which Verdi described as his "galley years" which ranged over a period 16 years, and one which saw the composer produce 22 operas. By the standards of the subject matter of almost all Italian operas during the first fifty years of the 19th century, Macbeth was highly unusual. The 1847 version was very successful and it was presented widely. Pleased with his opera and with its reception, Verdi wrote to Antonio Barezzi, his former father-in-law and long-time supporter about two weeks after the premiere: The 1865 revision, produced in a French translation and with several additions was first given on 19 April of that year. It was less successful, and the opera largely faded from public view until the mid-20th century revivals.
Influenced by his friendship in the 1840s with Andrea Maffei, a poet and man of letters who had suggested both Schiller's Die Räuber (The Robbers) and Shakespeare's play Macbeth as suitable subjects for operas, Giuseppe Verdi received a commission from Florence's Teatro della Pergola, but no particular opera was specified. He only started working on Macbeth in September 1846, the driving reason for that choice being the availability of a particular singer, the baritone Felice Varesi who would sing the title role. With Varesi under contract, Verdi could focus on the music for Macbeth. (Maffei was already writing a libretto for I masnadieri, which was based on the suggested Schiller play, but it could have been substituted for Macbeth had the baritone not been available. As a result of various complications, including Verdi's illness, that work was not to receive its premiere until July 1847.

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