작곡가

:   Johann Sebastian Bach (요한 제바스티안 바흐)

장르

:  

Keyboard

스타일

:  

Fugue

작곡년도

:   before 1742

출판년도

:   1751

초연

:   Jun 26, 1927

평균연주

:   82:17

악장

1

Part 1: Simple Fugues : Contrapunctus No. 1

3:31

2

Part 1: Simple Fugues : Contrapunctus No. 2

3:01

3

Part 1: Simple Fugues : Contrapunctus No. 3

3:07

4

Part 1: Simple Fugues : Contrapunctus No. 4

4:22

5

Part 1: Simple Fugues : Canon, at the octave (hypodiapason)

3:28

6

Part 2: Stretto Fugues : Contrapunctus No. 5

3:32

7

Part 2: Stretto Fugues : Contrapunctus No. 6, in 4 parts and in the French style

4:26

8

Part 2: Stretto Fugues : Contrapunctus No. 7, in 4 parts in augmentation and diminution

3:56

9

Part 2: Stretto Fugues : Canon, at the tenth [contrapuncto alla Terza]

4:53

10

Part 3: Double & Triple Fugues : Contrapunctus No. 8, in 3 parts (triple fugue)

5:52

11

Part 3: Double & Triple Fugues : Contrapunctus No. 9, in 4 parts at the twelfth (double fugue)

3:03

12

Part 3: Double & Triple Fugues : Contrapunctus No. 10, in 4 parts at the tenth (double fugue)

4:38

13

Part 3: Double & Triple Fugues : Contrapunctus No. 11, in 4 parts (triple fugue)

6:25

14

Part 3: Double & Triple Fugues : Canon, at the twelfth [contrapuncto alla quinta]

3:29

15

Part 4: Mirror Fugues : Contrapunctus No. 12a (rectus), in 4 parts

2:53

16

Part 4: Mirror Fugues : Contrapunctus No. 12b (inversus), in 4 parts

2:59

17

Part 4: Mirror Fugues : Contrapunctus No. 13a (rectus), in 3 parts

2:40

18

Part 4: Mirror Fugues : Contrapunctus No. 13b (inversus), in 3 parts

2:39

19

Part 4: Mirror Fugues : [Contrapunctus No. 17a] Fuga a 2 clav (rectus)

3:02

20

Part 4: Mirror Fugues : [Contrapunctus No. 17b] Alio modo Fuga a 2 clav (inversus)

3:40

21

Part 4: Mirror Fugues : Canon, in augmentation in contrary motion (hypodiatessaron)

4:59

22

Contrapunctus No. 14: Fuga a 3 soggetti (fugue with three subjects) [Unfinished]

9:07

The Art of Fugue (), BWV 1080, is an incomplete work of unspecified instrumentation by Johann Sebastian Bach (1685–1750). Written in the last decade of his life, The Art of Fugue is the culmination of Bach's experimentation with monothematic instrumental works. This work consists of 14 fugues and 4 canons, each using some variation of a single principal subject, and generally ordered to increase in complexity. "The governing idea of the work", as put by Bach specialist Christoph Wolff, "was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." The word "contrapunctus" is often used for each fugue.
The earliest extant source of the work is an autograph manuscript of the early 1740s, containing 12 fugues and 2 canons. This autograph is typically referred to by its call number of P200 in the Berlin State Library. Three manuscripts for pieces that appear in the revised edition were bundled with P200 at some point before its acquisition by the library.

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