작곡가

:   Wolfgang Amadeus Mozart (볼프강 아마데우스 모차르트)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1781

평균연주

:   167:13

악장

1

Overture. Allegro

4:52

2

Act 1 : Quando avran fine omai l'aspre sventure mie

4:30

3

Act 1 : No. 1 Padre, germani, addio!

4:22

4

Act 1 : No. 2 Non ho colpa, e mi condanni

4:55

5

Act 1 : No. 3 Godiam la pace, trionfi Amore

3:18

6

Act 1 : No. 4 Tutte nel cor visento

4:01

7

Act 1 : No. 5 Pietà! Numi, pietà!

1:34

8

Act 1 : No. 6 Vedrommi intorno... Spietatissimi Dei!

5:01

9

Act 1 : No. 7 Il padre adorato

3:26

10

Act 1 : No. 8 March

3:00

11

Act 1 : No. 9 Nettuno s'onori!

5:11

12

Act 2 : No. 10 Se il tuo duol, se il mio desio

5:03

13

Act 2 : No. 11 Se il padre perdei

5:51

14

Act 2 : No. 12 Fuor del mar ho un mar in seno

5:46

15

Act 2 : No. 13 Idol mio, se ritroso

5:12

16

Act 2 : No. 14 Odo da lunge armonioso suono (March)

1:33

17

Act 2 : No. 15 Placido è il mar, andiamo

4:31

18

Act 2 : No. 16 Pria di partir, o Dio!

4:46

19

Act 2 : No. 17 Qual nuovo terrore!

2:03

20

Act 2 : No. 18 Corriamo, fuggiamo quel mostro spietato

1:59

21

Act 3 : No. 19 Zeffiretti lusinghieri

5:53

22

Act 3 : No. 20 S'io non moro a questi accenti

3:57

23

Act 3 : No. 21 Andrò ramingo e solo (Quartet)

5:49

24

Act 3 : No. 22 Se cola ne' fati e scritto

8:05

25

Act 3 : No. 23 Volgi intorno lo sguardo, o Sire

4:27

26

Act 3 : No. 24 O, o voto tremendo!

5:10

27

Act 3 : No. 25 March

1:50

28

Act 3 : No. 26 Accogli, o rè del mar

3:54

29

Act 3 : No. 27 No, la morte, la morte io non pavento

4:15

30

Act 3 : No. 28 Ha vinto amore... a Idomeneo perdona

3:13

31

Act 3 : No. 29 D'Oreste, d'Ajace

4:04

32

Act 3 : No. 30 Popoli! a voi l'ultima legge

4:22

33

Act 3 : No. 31Torna la pace al core

5:54

34

Act 3 : No. 32 Scenda Amor, scenda Imeneo

3:14

Idomeneo, re di Creta ossia Ilia e Idamante (Italian for Idomeneo, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it might have been Mozart. The work premiered on 29 January 1781 at the Residenz Theatre in Munich, Germany.
The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the secco and stromentato recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is almost identical to the structure and dramatic working-out of a similar scene in Gluck's Iphigénie en Tauride. The sacrifice and oracle scenes are similar to Gluck's Iphigénie en Aulide and Alceste.

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