작곡가

:   Giuseppe Verdi (주세페 베르디)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1884

평균연주

:   185:22

악장

1

Act 1. Introduzione : Su, cacciator! pronti o la belva... (Le cerf s'enfuit sous la remure)

2:29

2

Act 1 : Fontainebleau! Foresta immensa e solitaria! (...Forêt immense et solitaire!)

3:04

3

Act 1 : Il suon del corno alfin nel bosco tace. (Le bruit du cor)

2:56

4

Act 1 : Al mio pie' perché?

5:37

5

Act 1 : Di qual amor, di quanto ardor (De quands transports)

5:18

6

Act 1 : Al fedel ch'ora viene, or signora (A celui qui vous vient)

1:42

7

Act 1 : L'ora fatale è suonata! (L'heure fatale est sonnée!)

2:31

8

Act 1 : Inni di festa lieta echeggiate (Chants de Fête)

3:22

9

Act 1 : Il glorioso Re di Francia (Le trè-glorieux Roi de France)

4:29

10

Act 2. Scene 1 : Carlo il sommo Imperatore (Charles-Quint, l'auguste Empereur)

5:50

11

Act 2. Scene 1 : Al chiostro di San Giusto (Au couvent de Saint-Just)

1:47

12

Act 2. Scene 1 : È lui! desso! l'Infante! (Le voilà! C'est l'Infant!)

5:07

13

Act 2. Scene 1 : Ascolta! Le porte dell'asil s'apron già

1:47

14

Act 2. Scene 1 : Dio, che nell'alma infondere amor... (Dieu, tu semas dans nos âmes)

4:38

15

Act 2. Scene 2 : Sotto ai folti, immensi abeti (Sous ces bois)

3:23

16

Act 2. Scene 2 : Tra queste mura pie la Regina...

1:02

17

Act 2. Scene 2 : Nel giardin, del bello... (Au palais des fées) [Veil Song]

4:47

18

Act 2. Scene 2 : La Regina!... Un'arcana mestizia... (La Reine!)

3:46

19

Act 2. Scene 2 : Che mai si fa nel suol francese (Que fait-on à la cour de France)

2:42

20

Act 2. Scene 2 : Carlo ch'è sol il nostro amore (L'Infant Carlos)

3:53

21

Act 2. Scene 2 : Io vengo a domandar (Je viens solliciter de la Reine)

8:13

22

Act 2. Scene 2 : Oh! Carlo! oh! Carlo!

2:30

23

Act 2. Scene 2 : Il Re!... Perché sola è la Regina? (Le Roi!)

1:39

24

Act 2. Scene 2 : Non pianger, mia compagna (Ô ma chère compagne)

4:16

25

Act 2. Scene 2 : Restate! Al mio regal cospetto (Restez! Auprès de ma personne)

4:01

26

Act 2. Scene 2 : O Signor, di Fiandra arrivo (O Roi! J'arrive de Flandre)

4:42

27

Act 2. Scene 2 : Quest'è la pace che voi date al mondo?

4:23

28

Act 2. Scene 2 : Osò lo sguardo tuo penetrar il mio soglio

3:48

29

Act 3. Scene 1 : Preludio

2:43

30

Act 3. Scene 1 : A mezzanotte, ai giardin della Regina (A minuit, aux jardins de la Reine)

5:49

31

Act 3. Scene 1 : Ed io, che tremava al suo aspetto! (Et moi qui tremblais devant elle!)

3:44

32

Act 3. Scene 2. Gran finale : Spuntato ecco il dì d'esultanza (Ce jour heureux)

6:29

33

Act 3. Scene 2. Gran finale : Schiusa or sia la porta del tempio!

2:25

34

Act 3. Scene 2. Gran finale : Il corteggio reale

3:20

35

Act 3. Scene 2. Gran finale : Nel posar sul mio capo la corona (En plaçant sur mon front)

5:19

36

Act 3. Scene 2. Gran finale : Sire! egli è tempo ch'io viva! (Sire, il est temps!)

3:46

37

Act 3. Scene 2. Gran finale : O ciel! Tu! Rodrigo!

3:27

38

Act 4. Scene 1 : Introduzione e Scena. Ella giammai m'amò! (Elle ne m'aime pas!)

8:23

39

Act 4. Scene 1 : Il Grand' Inquisitor! (Le Grand Inquisiteur!)

7:18

40

Act 4. Scene 1 : Giustizia, giustizia, Sire! (Justice! Sire! J'ai foi)

4:07

41

Act 4. Scene 1 : Arditta troppo voi favellate!

1:55

42

Act 4. Scene 1 : Ah! sii maledetto, sospetto fatale (Maudit soit le soupçon infâme)

4:35

43

Act 4. Scene 1 : Scena. Pietà! Pietà! perdon! (Pitié! Pardon!)

3:36

44

Act 4. Scene 1 : O don fatale, o don crudel (O don fatal)

4:38

45

Act 4. Scene 2. Morte di Rodrigo e Sommossa : Son io, mio Carlo (C'est moi, Carlos!)

3:38

46

Act 4. Scene 2. Morte di Rodrigo e Sommossa : Per me giunto è il dì supremo / O Carlo ascolta, la madre... (Oui, Carlos!)

4:44

47

Act 4. Scene 2. Morte di Rodrigo e Sommossa : Io morrò ma lieto in core (Ah! Je meurs l'âme joyeuse)

3:07

48

Act 4. Scene 2. Morte di Rodrigo e Sommossa : Mio Carlo a te la spada io rendo. (Mon fils, reprenez votre épée)

3:38

49

Act 5 : Tu che le vanità... (Toi qui sus le néant des grandeurs)

10:03

50

Act 5. Scena e duetto d'addio e scena finale : È dessa!... Un detto, un sol (C'est elle!... Un mot)

5:15

51

Act 5 : Ma lassù ci vedremo (Au revoir dans un monde)

4:50

52

Act 1, Scene 1 : Io l'ho perduta (for Italian 4 act version)

3:42

53

Act 1 : L'hiver est long! (Omitted, Prelude & Intro)

5:39

54

Act 3, Scene 1 : Que e fleurs...Viens Eboli (Omitted, Intro & chorus)

5:00

55

Act 3, Scene 2 : Le Ballet de la Reine (Omitted)

16:00

56

Act 4, Scene 1 : J'ai tout compris (Omitted)

1:25

57

Act 4, Scene 2 Finale : Mons fils, reprenez votre épée (Omitted)

8:10

58

Act 5 Finale : Oui, pour toujours! (Omitted)

3:49

Don Carlos is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play Don Carlos, Infant von Spanien (Don Carlos, Infante of Spain) by Friedrich Schiller. In addition, it has been noted by David Kimball that the Fontainebleau scene and auto da fé "were the most substantial of several incidents borrowed from a contemporary play on Philip II by Eugène Cormon". The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568), after his betrothed Elisabeth of Valois was married instead to his father Philip II of Spain as part of the peace treaty ending the Italian War of 1551–1559 between the Houses of Habsburg and Valois. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Salle Le Peletier on 11 March 1867. When performed in one of its several Italian versions, the opera is generally called Don Carlo. The first Italian version given in Italy was in Bologna in March 1867. Revised again by Verdi, it was given in Naples in November/December 1872. Finally, two other versions were prepared: the first was seen in Milan in January 1884 (in which the four acts were based on some original French text which was then translated). That is now known as the "Milan version", while the second—also sanctioned by the composer—became the "Modena version" and was presented in that city in December 1886. It added the "Fontainebleau" first act to the Milan four-act version. Over the following twenty years, cuts and additions were made to the opera, resulting in a number of versions being available to directors and conductors. No other Verdi opera exists in so many versions. At its full length (including the ballet and the cuts made before the first performance), it contains about four hours of music and is Verdi's longest opera.
Pre-première cuts and first published edition

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