작곡가

:   Richard Wagner (리하르트 바그너)

장르

:  

Opera

스타일

:  

Opera

작곡년도

:   1841

평균연주

:   128:06

악장

1

Overture

10:25

2

Act 1 : Hojohe! Hallojo!

5:00

3

Act 1 : Mit Gewitter und Sturm aus fernem Meer

4:39

4

Act 1 : Die Frist ist um

9:57

5

Act 1 : He! Holla! Steuermann!

5:16

6

Act 1 : Mein Schiff ist fest

6:02

7

Act 1 : Blick hin, und uberzeuge

null

8

Act 1 : Wenn aus der Quallen

2:37

9

Act 1 : Hei! Wie die Segel schon sich blah'n!

null

10

Act 1 : Interlude

1:37

11

Act 2 : Summ' und brumm', du gutes Rädchen

6:20

12

Act 2 : Du böses Kind

4:49

13

Act 2 : Joho hoe! Traft ihr das Schiff

7:16

14

Act 2 : Bleib', Senta!

6:12

15

Act 2 : Ach möchtest du... Mein Kind, du siehst mich?

2:31

16

Act 2 : Mögst du, mein Kind

5:31

17

Act 2 : Wie aus der Ferne längst vergang'ner Zeiten

8:32

18

Act 2 : Verzeiht! Mein Volk hält

2:12

19

Act 2 : Interlude

2:47

20

Act 3 : Steuermann, lass die Wacht!

8:15

21

Act 3 : Jo ho ho hoe!

4:01

22

Act 3 : Was musst' ich hören!

3:12

23

Act 3 : Willst jenes Tags du nicht dich mehr entsinnen

3:09

24

Act 3 : Verloren! Ach! Verloren! (Finale)

5:03

Uncompleted operas

• Die Laune des Verliebten (1830)
• Die Hochzeit
• Männerlist größer als Frauenlist (1838)

• v
• t
• e

Der fliegende Holländer (The Flying Dutchman), WWV 63, is a German-language opera, with libretto and music by Richard Wagner. Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 Autobiographic Sketch, Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel The Memoirs of Mister von Schnabelewopski (Aus den Memoiren des Herrn von Schnabelewopski). The central theme is redemption through love. Wagner conducted the premiere at the Semper Oper in Dresden in 1843. This work shows early attempts at operatic styles that would characterise his later music dramas. In Der fliegende Holländer Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a well-known ocean or storm motif before moving into the Dutchman and Senta motifs. Wagner originally wrote the work to be performed without intermission – an example of his efforts to break with tradition – and, while today's opera houses sometimes still follow this directive, it is also performed in a three-act version.
By the beginning of 1839, the now 26 year old Richard Wagner was employed as a conductor at the Court Theatre in Riga. His extravagant lifestyle plus the retirement from the stage of his actress wife, Minna, caused him to run up huge debts that he was unable to repay. Wagner was writing Rienzi and hatched a plan to flee his creditors in Riga, escape to Paris via London and make his fortune by putting Rienzi on to the stage of the Paris Opéra. However, this plan quickly turned to disaster: his passport having been seized by the authorities on behalf of his creditors, he and Minna had to make a dangerous and illegal crossing over the Prussian border, during which Minna suffered a miscarriage. Boarding the ship Thetis, whose captain had agreed to take them without passports, their sea journey was hindered by storms and high seas. The ship at one point took refuge in the Norwegian fjords at Tvedestrand, and a trip that was expected to take eight days finally delivered Wagner to London three weeks after leaving Riga.

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